20-Jan-2017 - 26-Feb-2017

Derek Kreckler: Accident & Process

Derek Kreckler: Accident & Process is a major survey exhibition bringing together, for the first
time, five decades of the artist’s oeuvre. It encompasses photography, video, installation and
performance works that date from the 1970s to the present day. Kreckler is a leading
Australian artist known for his experimental conceptual and post-minimalist practice. Curated by Hannah Matthews and presented as part of Mona Foma 2017
DATE: Thursday 19 January 2017 ARTIST & CURATOR TALK: 5:00pm OPENING: 6.00pm LOCATION: Contemporary Art Tasmania A FREE EVENT


Image: Derek Kreckler, Wet Dream (red), 1978. colour video, digitised from 35mm transparencies, looped. Courtesy of the artist.

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17-Mar-2017 - 16-Apr-2017

Michael Schlitz: light memory, dark ground

A solo exhibition of new work by Tasmanian artist, Michael Schlitz.
OPENS: 6pm, 17 March 2017 | EXHIBITION: 18 March - 16 April 2017 | Contemporary Art Tasmania | Presented as part of Ten Days on the Island

Image: Detail of artist's door carving. Courtesy of the artist.

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28-Apr-2017 - 28-May-2017

Passages

Susanna Castleden, Vivienne Cutbush, Linda Fredheim, Julie Gough, Laura Hindmarsh, Pip Stafford

Curator: Emily Bullock
This exhibition is an outcome of the Contemporary Art Tasmania Curatorial Mentorship Program.
Passages brings together six artists whose work engages with the subjective and sensory encounters between people and place. Featuring artists working across a range of media, the works feature tactile, emotional apprehensions of intimate places and experiences to reflect on the inseparability of inside and outside, seeing and travelling, memory and imagination, vision and touch. In offering affective mappings of intimate spaces, Passages questions the cold, totalising visual representations of maps, offering moving engagements with places that have the potential to re-make the globe anew.

Image: Susanna Castleden, Folded Globe, 2013, watercolour on rag paper, approx 50 x 50 x 50 cm. Photograph Robert Frith at Acorn

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